World Party

I am rarely totally disappointed by a live show by a well known band. On the other hand, I'm rarely truly blown away either. The best bands are often so choreographed that they repeat the same routine night after night. If you have ever seen Bruce Springsteen, Pink Floyd or U2, you know that this is great entertainment, and often heartfelt, but on big multi-million dollar tours, they can't afford to have things go wrong so there IS a lot of choreography, and, (gasp), some backing tracks. U2, in particular, seem to have gone down this road in an attempt to recreate the sound of their recent albums. I don’t disapprove - they were fantastic when I saw them in Portland, but backing tracks force the band to keep to a certain routine. On big stages, if a band isn't fully together, what would be endearing and human in a small venue, just seems messy. But, it can come off a little antiseptic at times. My favorite shows are in small and medium sized venues. Like I have written before, the Fillmore is my favorite place to see music. However, the cozy Great American Music Hall in San Francisco’s Tenderloin district is a very close second, and on a good night, provides the intimacy that you don't get in a bigger place. It's also the most gorgeous venue I have ever been in, a perfectly preserved Victorian music hall, catering to a few hundred people. Ten days ago I witnessed one of those rare shows when a band hits that all-too- seldom, joyous combination of well rehearsed but loose, soulful but serious, complete with a large dollop of humour.
Karl Wallinger of World Party, is one of rock music's greatest talents, and like many real talents, the music biz has never really known what to do with him. He had quite a bit of UK success back in the early 90's with the excellent "Goodbye Jumbo" and "Bang." Then Wallinger hit a streak of bad luck. The next (quite good), "Egyptology" stiffed, although the song "She’s The One" was a massive hit for Robbie Williams. It was produced by ex-members of Wallinger's band and is almost identical to Wallinger's original. He lost his record contract and then he suffered an aneurism. After a long rehab, he is back on the road, and man is he good. This is a guy given a second lease on life. I can count on one hand the number of times a gig has transported me to somewhere else, and this was one. If you get a chance check them out. I can't wait to hear what he does next.